At Chez Hermès, timelessness is more important than trends.”We don’t have an image policy; we have a product policy,” the company’s late CEO Jean-Louis Dumas told Vanity Fair in 2007. This view attracts both blue blood and (naturally) celebrity. Queen Elizabeth II is a fan of the brand’s printed scarves;Jackie O carried Constance’s sacks;and two of the world’s most coveted replica handbags are named after Grace Kelly and Jane Birkin.
The Belgian deconstructivist Martin Margiela was the artistic director of the Hermès replica women’s wear collection, followed by the Parisian fashion enthusiast Jean Paul Gaultier, and then Christophe Lemaire.These appointments attracted attention, but as Dumas expressed, they were in line with the brand’s mission: “Hermès’ philosophy has always been to change tradition to make it new. Nadège Vanhee-Cybulski worked for Mary-Kate and Ashley Olsen at The Row and took office in 2014.
The New York Times reported in 1940, “Some people say Hermès replica is perhaps the only institution in the world where you cannot buy a product with imperfect taste.
Helmut Newton may consider Hermès the “world’s greatest sex shop, with whips, saddles, and spurs,” but to most customers, the house founded in 1837 is a harness shop that is simply a combination of exquisite design and craftsmanship.
The waiting list for Hermès is almost as famous as its horse portraits.A replica Kelly bag requires about 20 hours of work from a team of experts, and for the buyer, it takes patience to postpone satisfaction for up to two years.The wait for replica Birkin inspired an episode of “Sex and the City” and a book called “Bringing Birkin Home.”
